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Kara Winger arrived at the track and field world championships as one of the most decorated javelin throwers in American history. A nine-time national champion, she had persevered through injuries, including two knee surgeries, to compete at four Olympic Games.

On Friday, though, Winger was in fifth place before her final throw at Hayward Field in Eugene, Ore., where the world championships were held. She had never won a medal in a global competition, and she plans to retire at the end of the season. This was her last shot.

“I’m two hours from my hometown,” said Winger, 36, who grew up in Vancouver, Wash., “and I felt like every single person in that stadium was cheering for me.”

For the first time, the track and field world championships were staged in the United States — and American athletes like Winger made the most of the experience. Winger saved her best for last, winning the silver medal with a ferocious final throw. She was still celebrating when Sydney McLaughlin, one of the U.S.’s most talented young stars, won the women’s 400-meter hurdles by breaking her own world record.

ImageKara Winger competing in the women's javelin final in Eugene, Ore. "I felt like every single person in that stadium was cheering for me," she said.
Credit…Ezra Shaw/Getty Images

“The overall Team USA vibe — just seeing people all over the track and inside the oval completely dominating — has been incredibly fun to be a part of,” Winger said.

Track and field officials were hoping that hosting the world championships in the U.S. would help reignite American interest in the sport. And while athletes like Winger delivered, thrilling fans in Eugene, which has long been a track and field hotbed, one meet is not a cure-all. As Winger can attest, progress takes commitment.

“We need to be in this market,” said Sebastian Coe, the president of World Athletics, the global governing body of track and field. “It’s important. It’s not punching its weight.”

The world championships were a resounding success for American athletes. Entering Sunday, which was the final day of the 10-day competition, the U.S. had won 28 medals, 10 of them gold, far outpacing every other country. Ethiopia was next with 10 medals, four of them gold. Athing Mu won the women’s 800 meters Sunday night to add to the total.

American men swept the podium in the 100 meters and in the shot put. Noah Lyles won the men’s 200 meters. The women’s 4×100-meter relay team stormed past Jamaica for an unexpected world title, while the men’s 4×100-meter relay team, notoriously clumsy in years past, held onto the baton long enough to claim silver.

And even as Allyson Felix, one of the most decorated athletes in U.S. history, made her final appearance in a national team uniform, a new crop of stars has already stepped forward to fill the void.

“This was really huge to have a meet in the U.S. where my whole family could be there, and it just made it a whole lot more enjoyable for sure,” McLaughlin said after her race. “Knowing that I’m in the same time zone that I train in, and all the advantages of having it on home soil, it really played to our advantage for sure.”


Credit…Steph Chambers/Getty Images

There was plenty of energy inside the stadium, but the event’s domestic reach seemed more limited.

Last weekend, a little more than 2 million people tuned in to NBC to watch the championships on Saturday and Sunday — smaller audiences than those that watched NBC’s same-day coverage of the British Open, which drew 3.3 million viewers on Saturday and 4.5 million for Sunday’s final round.

It hardly helped that viewers needed a spreadsheet to figure out what and how to watch. During the week, the world championships were broadcast on the USA Network, a cable channel that NBC owns, and on Peacock, NBC’s streaming service. (Track and field landed on Peacock when USA showed professional wrestling.)

The world championships are not an ideal spectator event. The meet stretches across the better part of two weeks, testing the patience of even the most dedicated fans. Coe left open the possibility of recalibrating — and perhaps compressing — the schedule in the future.

“I’m never going to jettison the philosophy and the history of our sport,” he said. “But I do think we have to recognize that 10 days, pretty much morning and evening, is quite a challenge.”

At the same time, Coe listed some of the inherent advantages that ought to help boost the popularity of track and field in the United States, starting with its powerhouse national team, which could have paid rent for the time its athletes spent on the medal podium at Hayward Field. The U.S. has around 50 million people who identify themselves as avid runners, Coe said. And at the high school level, hundreds of thousands of teenagers participate in track and field and in cross-country running.


Credit…David J. Phillip/Associated Press

But the U.S. has a “cluttered, complicated marketplace” for sports, Coe said.

“I’m probably not going to be Mr. Popular for saying this, but I don’t think in years past the sport has been marketed as well as it could have been in the U.S.,” Coe said. “I think there was a complacency for many years that it was enough to come back from the Olympic Games or a world championships atop the medal stand. I think there’s now a much greater recognition that, in itself, is important, but it isn’t enough.”

Organizers in the U.S. are experimenting with a variety of more fan-friendly events. They want top American athletes to stay in the U.S. for longer — most professionals spend their summers in Europe competing on the Diamond League circuit — and to get fans up close to the action at meets that are more compact.

Ahead of the 2028 Olympics in Los Angeles, World Athletics and U.S.A. Track & Field have partnered to form an initiative called “Project USA” as a way of driving investment in the sport. World Athletics is funding a documentary series in the style of Netflix’s “Drive to Survive,” which has enhanced the mainstream appeal of Formula 1 auto racing. A world road racing championships is in the works, Coe said, with several “high-profile cities in the U.S.” expressing interest in hosting events.

Coe also wants to continue to develop the Continental Tour, which operates in part as a sort of feeder system for track and field’s more upper-crust events.

“When we created the Continental Tour, there wasn’t a single American city that held their hand up that wanted to do that,” he said. “Now we’ve got two or three, and we need to grow that.”

Winger will compete in a couple of more events in Europe, and one in the Bahamas, before she calls it a career. She also works full-time for a company called Parity, which directs revenue toward female athletes.

“I am a passionate member of the community that I serve,” she said.

In Eugene, she was thrilled with the turnout — and with the attention that some of the lesser-known field events generated. She interacted with young athletes who told her they had started throwing the javelin in recent years and had watched her on Instagram.

“That does not happen for javelin throwers,” Winger said. “So the fact that it happened here is incredible.”

Kevin Draper and Kris Rhim contributed reporting.


By: Scott Cacciola
Title: American Track Athletes Showed Up. Did American Fans?
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Published Date: Mon, 25 Jul 2022 04:16:16 +0000

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Taylor Swift’s rep responds to reports the singer has the worst private jet carbon emissions



A spokesperson for Taylor Swift has responded to a report that named the singer as the celebrity with the worst private jet CO2 emissions. 

Yesterday, a report released by Yard claimed the American singer was the biggest CO2 polluter of the year so far, having flown in her private jet 170 times since January and totalling 8,294.54 tonnes of CO2.

However, Swift’s spokesperson told Buzzfeed News the statistics are inaccurate.

For context, the report claims the average person produces just seven tonnes of carbon emissions per year.

Taylor Swift speaks onstage during the 36th Annual Rock & Roll Hall Of Fame Induction Ceremony at Rocket Mortgage Fieldhouse on October 30, 2021 in Cleveland, Ohio.

Swift’s representative said only some of the 170 flights can be attributed to the singer: “Taylor’s jet is loaned out regularly to other individuals. To attribute most or all of these trips to her is blatantly incorrect.”

Regardless, it is clear Swift’s jet is racking up significant amounts of carbon emissions due to its inefficient use.

According to the Yard report, her average flight time is just 80 minutes, and her jet’s shortest recorded flight flew between Missouri and Nashville for just 36 minutes.

Celebrities react to Roe v. Wade

Other significant celebrity polluters include boxer and domestic violence perpetrator Floyd Mayweather, whose shortest flight was just 10 minutes long but emitted one ton of carbon; Kim Kardashian, who has emitted 609 times more carbon than the average person; and director Steven Spielberg, who took an 18-minute flight between Rotterdam and Amsterdam – a route which, when taken by train, takes only an hour. 

The subject of celebrity carbon emissions has blown up ever since Kylie Jenner shared an out-of-touch photo of her and partner Travis Scott posing in front of their private jets with the caption, “you wanna take mine or yours?”

In the midst of the backlash, many began diving deeper into Jenner’s private jet use by examining the Celebrity Jets Twitter account, which records celebrity private jet trips.

Many were horrified she was regularly taking flights as short as 12 minutes and reprimanded her for “her absolute disregard for the planet”.

Many found it hypocritical that ordinary people were being asked by big companies to reduce their car trips and use paper straws when celebrities are constantly leaving huge carbon footprints with frivolous trips in their private jets.

Despite the wave of criticism, celebrities have continued to take private flights between short distances. 


Title: Taylor Swift’s rep responds to reports the singer has the worst private jet carbon emissions
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Published Date: Sun, 31 Jul 2022 03:07:00 GMT

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Jodie Sweetin Marries Mescal Wasilewski with ‘Fuller House’ Co-Stars in Attendance!



Jodie Sweetin Marries Mescal Wasilewski with 'Fuller House' Co-Stars in Attendance!

Jodie Sweetin is married!

The 40-year-old actress, best known for playing Stephanie Tanner on Full House and Fuller House, married social worker Mescal Wasilewski on Saturday (July 30) at a private home in Malibu, Calif. after five years together.

Click inside to read more…

Jodie and Mescal wed in an intimate backyard ceremony that included her two daughters – Zoie, 14, and Beatrix, 11 – and her Fuller House co-stars including John Stamos, Candace Cameron Bure, and Andrea Barber.

“I know I have the right partner for the rest of whatever life brings me,” Jodie shared with People. “And I couldn’t be more grateful.”

Jodie and Mescal were first introduced through friends in 2017 and dated long-distanced before Mescal moved from New York City to Los Angeles in 2020. They got engaged in January 2022.

This is the fourth marriage for Jodie – she was first married to Shaun Holguin from 2002 to 2006, to Cody Herpin from 2007 until 2010, and to Morty Coyle from 2012 to 2016. She shares Zoie with Cody and Beatrix with Morty.

Congrats to the newlyweds!


By: Just Jared
Title: Jodie Sweetin Marries Mescal Wasilewski with ‘Fuller House’ Co-Stars in Attendance!
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Published Date: Sun, 31 Jul 2022 04:26:28 +0000

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How to Make Sense of a Very Unpredictable Fall Movie Season




All of a sudden, the fall movie season looks very busy. This week brought two big festival announcements loaded with major films to come: First came Venice, with a lineup that includes everything from Darren Aronofsky’s “The Whale” to “Bardo”; it was followed by TIFF, where Steven Spielberg’s “The Fabelmans” will premiere alongside Sam Mendes’ “Empire of Light” and Sarah Polley’s “Women Talking,” among many others. Meanwhile, Telluride continues to shroud its selections in secret, but the latest lineups help us get a sense of what to expect there as well.

In this week’s episode of Screen Talk, Eric Kohn and Anne Thompson dig through both lineups to get a sense for which films could impact the coming awards season and why it’s almost certain to be an unpredictable ride. They also address the return of competitiveness between festivals that seemed to subside earlier in the pandemic, and touch on the recent changes to the Oscar submission rules in France.

Watch the full episode above or listen it below. 

Screen Talk is produced by Azwan Badruzaman and available on Apple Podcasts, Stitcher, and Spotify, and hosted by Megaphone. Browse previous installments here, subscribe here, and be sure to let us know if you’d like to hear the hosts address specific issues in upcoming editions of Screen Talk. 


By: Anne Thompson
Title: How to Make Sense of a Very Unpredictable Fall Movie Season
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Published Date: Fri, 29 Jul 2022 20:52:17 +0000

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