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Lightning In A Bottle celebrated its 20th anniversary this Memorial Day with an extra wave of positivity in the air. Attendees were absolutely thriving in each moment and creating memories to last a lifetime.

Lightning In A Bottle is a festival produced by Do LaB, who’s well known for their infamous stage at Coachella. 

This year, Do LaB brought a talented group of musicians, performers, teachers, and talent to Buena Vista Lake in Bakersfield, California. This curated festival provided an opportunity for people to reflect, learn, and grow, and have space to connect with others.

See EDM Maniac‘s Festival Report Card below:

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Vibes: A+

Lightning In A Bottle is known for its transformational energy, and we certainly felt it last weekend. The crowd was flowing with positive vibes and filled with smiles, laughs, hugs, and high fives. Even when sets got crowded, there was no pushing or shoving, and people were constantly saying “excuse me” and making sure to be respectful when passing through. 

Depending on where you were and what activity you were doing, the vibes followed. If you were at the bass stage, the crowd was headbanging and encouraging others to get wild and let loose. If you were at the Woogie, you were moving and grooving with everyone and feeling free.

LSDREAM’s LIGHTCODE was a standout experience of the weekend, with the crowd overflowing past the Thunder stage, but all still experiencing it together. You could see the calmness and tranquility that LSDREAM spread every person who was there.

The sea of people breathed and relaxed to the beat of the drum which created a strong sense of peace and unity that is hard to find anywhere else.

Production: B

The Woogie had multiple platforms for people to dance on, which gave a flowy, trippy vibe to the area, and the speakers at the Woogie were rocking all weekend long.

The Lightning stage was huge and had a large screen for visuals (ahem, Rezz) with lights and lasers, but it would’ve been even better with the addition of pyro or cryo. 

The Thunder stage this year brought the heat, with a huge panel LED screen on the front of the DJ booth, as well as a large LED screen for visuals in the back. Do LaB’s infamous sheets of fabric provided some shade during the day, as well as a truly encapsulating feeling at night.

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Music: B+

Lightning in a Bottle is known to have a diverse lineup of music with various stages for all the genres you could possibly imagine.

The Woogie did not disappoint. We were sad to see Tale of Us have to cancel at the last minute, but the addition of house music legend Lee Burridge kept the party going.

This year’s Woogie lineup featured legends such as LP Giobbi, Purple Disco Machine, Stephan Bodzin, and more. Mary Droppinz brought the boogie to woogie, absolutely throwing down during her daytime set, and Diplo brought some immaculate vibes during the nighttime.

Thunder, the bass stage, had some insane sets throughout the weekend from Liquid Stranger, LSDREAM, TOKiMONSTA, The Glitch Mob, Deathpact, Moore Kismet, and Wreckno. Up-and-coming artist, Hamdi took the stage by storm on Friday playing his new hit single “Counting,” which has gone viral on TikTok.

Lightning, the main stage, had a notable variety of bands, musicians, and DJs playing. Sofi Tukker brought all the energy with their live performance while Rezz hypnotized the crowd with bass.

Let’s talk about the stacks. Although it’s a smaller stage, the talent we saw was insane and constantly giving massive amounts of energy. Snuffy, Ooga, and JordnMoody absolutely blew the stage away with endless supplies of bass and good vibes. The stacks also impressed everyone when Zeke Beats showed up Sunday night as a special guest. 

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Photo Credit: Juliana Bernstein/Get Tiny

Venue: B+

Buena Vista Lake is an interesting venue because some of the grounds are concrete. Do LaB did a phenomenal job of adding woodchips, fake grass, and other elements to make the grounds feel more comfortable. The dust at LIB is unavoidable, so we hope you were wearing your bandana. 

Getting around the grounds was a breeze. It never felt too crowded walking from stage to stage, and there were so many things to stop and see while walking. You could get lost in an art gallery, watch someone create live art, sit down at the sacred fire, get lost in the neon performers at Martian Circus, and so much more.

The roller rink also added a playful and fun environment for people to skate, dance, and groove to some tunes. The lake provided a place for attendees to cool off, and we saw many floaties, toys, and smiles in the water.

Another new addition to LIB provided this year was Wi-Fi, although unfortunately it came at a cost per day, and did not seem to work for many people.  One other thing many people noticed was the drinking water seemed to be slightly cloudy on the first few days, but by the last day seemed to have improved.

The one thing LIB never disappoints with are the activities, places to learn, and space to grow. There were tons of yoga and movement classes. LIB also offers a plethora of learning and culture offerings, talks and discussions with visionaries, experts, and thought leaders, and even culinary classes. 

Overall: B+

Overall, the production at LIB blew us away. There were multiple immersive structures you could walk through and explore, tons of art to see, a large yoga tent with a variety of classes, a sacred fire to sit by, art cars, and many other places and things to explore.

LIB has music everywhere, and for the 20th anniversary of LIB, they didn’t hold back. Every day of the five-day festival was stacked with talent.

The Grand Artique hosted performances all weekend, as well as Beacon, Martian Circus, Junkyard, and Crossroads. The banana art car would also pop up in the middle of nowhere with the best beats. 

LIB truly fosters a place of love, learning, happiness, and peace as well as a place to let loose and dance the night away. 

Featured image credit Sydnee Wilson, second image credit DI Visuals, third image credit Jess Gallo for Atlas Media

The post Festival Report Card: Lightning In A Bottle 2023 appeared first on EDM Maniac.

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By: Melissa Mubaraki
Title: Festival Report Card: Lightning In A Bottle 2023
Sourced From: edmmaniac.com/festival-report-card-lightning-in-a-bottle-2023/
Published Date: Fri, 02 Jun 2023 22:52:26 +0000

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A State Of Trance Top 1000 #1 Is Revealed!

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After 30 years of nothing but Trance excellence, with all the feels, and all the incredible talent, Armin van Buuren‘s legacy prevails. A State of Trance Top 1000 Award revealed the number one track of the label. We can’t imagine how hard it was to pick their top track ever. Cue the drum rolls please… The award goes to none other than Dutch Trance producer RAM and German DJ Jorn van Deynhoven. The honorary title is thanks to their remix of the 2009 masterpiece ‘RAMsterdam’.

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A post shared by ☆ R A M ☆ (@ramofficial)

The Duo took it on their social medias to showcase the plate they received to commemorate the award. We can’t forget the track has earned over 10 million streams on spotify. The track embodies Trance in its rawest form. Its true nature and drive summarize the power the genre carries from decade to decade. Naturally, ‘RAMsterdam’ (Jorn van Deynhoven Remix) reigns supreme over 999 other songs that have moved millions of people since the inception of A State of Trance. Furthermore, RAM mentioned on his Facebook post that after he earned the title, DJ Mag announced his residency in the number one Trance club in China for 2024.

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Both artists are one of a kind, and the award deeply recognizes the mark they continue to leave on a State of Trance and the scene itself. ‘RAMsterdam’ (Jorn van Deynhoven Remix)paved the way for more unique sounds to evolve and develop to this day. RAM and van Deynhoven have what it takes to carry the title of worldwide phenomenon.

Congratulations to these two legends! Now, go ahead and leave ‘Ramsterdam’ (Jorn van Deynhoven Remix) on replay. After all, it is the number 1 ASOS Top 1000 track.

The post A State Of Trance Top 1000 #1 Is Revealed! appeared first on EDMTunes.

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By: Jay Seabrook
Title: A State Of Trance Top 1000 #1 Is Revealed!
Sourced From: www.edmtunes.com/2024/04/a-state-of-trance-top-1000-1/?utm_source=rss&utm_medium=rss&utm_campaign=a-state-of-trance-top-1000-1
Published Date: Tue, 30 Apr 2024 13:54:55 +0000

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[EVENT REVIEW] Ultra Chile Returns After Nearly A Decade, And In Full Force Too

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The large ‘U’ festival celebrated a fantastic return to South America recently.

When you think of Ultra Music Festival, you likely gravitate towards Miami straight away. But we’re lucky enough to have them all over the world, celebrating parties far and wide. That is certainly a blessing for energetic crowds living in somewhat further places in the globe, like South America.

I’ve been here for a while, and it’s safe to say it’s growing a strong community of Dance-devoted madmen like me. I’ve been lucky enough to get to know the Argentinian scene fairly well, and also those in its neighbouring country, Chile. This is a country where Hardstyle reigns supreme, and genres like Techno and its branches are seeing a roaring uptrend in the number of fans and followers. So much so, that Ultra themselves decided to pay a visit. A two-day visit, mind you.

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Ultra Chile: Its History

Chile had its first Ultra in 2013, with the next two years also calling artists from around the world to come together on the far southern end of the globe for Ultra Chile 2014 and 2015. The year after, Chile received a more compact Road To Ultra, as well as in 2017, for the Ultra host of those years was the continental giant, Brazil. After that, Chile would have to wait some time before the brand set foot on it again.

2023 saw Road To Ultra return to the long country for a Halloween party, headlined by Marshmello, Nicky Romero, Oliver Heldens, and Two Friends. And this year, the acclaimed main branch returned in full force, with two days of unstoppable beats coming from a handful of places, and showcasing an impressive plethora of talents, established, up-and-coming, returning… everything.

It was held on Friday, April 19th, and Saturday, April 20th, in Santiago’s iconic go-to place for massive events, Espacio Riesco.

Day One: Friday

Day One kicked off late in the afternoon, at 7 PM to be precise. The crowds started to appear from very early on. Once inside, it was time to have a look at the place, and, oh dear, they truly made the most out of the venue. Three of the four stages were on that day, the Mainstage, on the back of the property and boasting an impressive open-air setting, the Resistance stage, a blacked-out, massive former plane hangar to welcome the best Techno represents in the world, and the Carolina stage, a local-lineup filled stage out on the open.

Day One Winners

Jumping between the Mainstage and the Resistance stage allowed me to watch basically all artists for a little. That’s life at a festival, you can’t really marry one particular DJ. That said, I think I’ve got my favourite artist of the night, and it is Stephan Bodzin.

I had never watched him play, so I was basically going in not knowing what to expect. Add to that, I was at the Main seeing Armin before, so I didn’t really know what I was about to witness. Walking into Resistance, the first thing I noticed was that there was A TON of space to dance and just be yourself. The Mainstage was filled to the brim with people, and well, that left the Techno-devoted stage with a crowd that was truly enjoying Bodzin’s magic. I did too.

I swear, ten minutes in I was already fully hooked. Eyes closed, moving side to side, that kind of hooked. Him playing a live set was a tenfold amplifier as well, since he was interacting a lot with the audience, and the audience interacted a lot with him back. Ask me to name one track from his set, I can’t. But what I CAN recall vividly is how happy he was managing his instruments, and how happy the people dancing beside him were. I was one of them, fully gone away in a trance. A star for you, mate.

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Day Two: Saturday

Day Two started quite earlier, promising twelve endless hours of good music. My friend — who flew in from Buenos Aires for the festival — and I entered the place just past 2:30 PM. And after a little day tour of the venue, we headed straight to the brand-new Resistance Square stage. Reason being, Daniella Da Silva was on at 3:00.

The stage itself was really interesting to me, since the Ultra guys turned this giant conference place into the host for the darkest, most energetic beats of the entire day. I remember my highschool once took me for University speeches or something of that kind literal years ago, and seeing it changed to fit a literal Ultra festival blew me away.

The other stages were just as breathtaking as the day before, and now places like the Mainstage enjoyed the geographic surroundings of Espacio Riesco: mountains for days. It was another level. Point for you, day parties!

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Day Two Winners

Daniella Da Silva

My friend wanted to see her so badly, and I wanted to learn from someone new to me. Good. Lord. Those were 90 minutes of nonstop dancing. There are pictures and videos of me absolutely losing it during her set which I won’t show for, reasons, but let me tell you, her energy is sensational. Dark, Hard Techno. I’m not of the kind to enjoy that in a car ride or on a normal day, but I for sure allowed myself to enjoy her beats at Ultra. I felt slightly sore after that, and that should tell you enough of how good of a set hers was.

Hardwell

My childhood hero. How wouldn’t I have enjoyed Hardwell’s set when he was my role model when I was in school back in the day? Growing up loving ‘Encoded’, ‘Spaceman’, and his remix of ‘Man With The Red Face’, it was about time to see him again. Absolutely nuts. Lots of what he played I had heard before at his Ultra Miami set from earlier this year, but far from taking away from the experience, it allowed me to sing my lungs out. Special shoutout to that ‘Strobe‘ x ‘Save The World‘ mashup which nearly got me crying.

Kasablanca

These guys take the gold for me, no question. Seeing Hardwell, you know beforehand that it’s going to be a phenomenal show, but I had never seen Kasablanca before. I’d only heard their Anjuna tunes. And so my friend and I got to the very front of the Mainstage to see them. We could not have decided better.

They played a live set, just like Bodzin had done the day before. The difference here was the setting: While Stephan Bodzin played inside the warehouse vibe of the Resistance stage, Kasablanca did it out in the open. And their set just so happened to occur during the last hours of the day and into the night, sunset included.

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They absolutely rocked it. From synths to vocals to literal choreography, their set had it all. They truly made good use of the Mainstage speakers as well, with their fat-bottomed tracks. I can’t tell you just how magical that time was, even the landscape fit the vibe of their music. Mountains all around, the clouds turning slightly red at sunset (see a few pictures above), and the moon reigning high aloft by the time they dropped their remix of Above & Beyond’s ‘Black Room Boy’. The duo take the gold, and my heart with it. I won’t turn down the possibility of seeing them in the future.

Final Thoughts

It had been a while since I last attended a big festival, since I’d been much more inclined to go to artist-focused events. It was a refreshing treat to come to Ultra Chile and soak in the festival experience again. My mate and I had a great time, enjoyed the food (shoutout to Papa John’s), the Gin Tonics, and the feel-good atmosphere. For now, be right back, I’ll be listening to Kasablanca!

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The post [EVENT REVIEW] Ultra Chile Returns After Nearly A Decade, And In Full Force Too appeared first on EDMTunes.

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By: Felipe Latorre Cabello
Title: [EVENT REVIEW] Ultra Chile Returns After Nearly A Decade, And In Full Force Too
Sourced From: www.edmtunes.com/2024/04/event-review-ultra-chile/?utm_source=rss&utm_medium=rss&utm_campaign=event-review-ultra-chile
Published Date: Mon, 29 Apr 2024 18:43:56 +0000

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Adriatique’s ‘Beyond Us’ (Hatshepsut Version Alex Wann Remix) Is a Mystical Voyage

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As time goes by, some songs become timeless classics. Even more when artists reimagine different emotions and moods. This is the case with Eynka‘s ‘Beyond Us‘. It wasn’t long until Swiss Electronic duo Adriatique made their own renditions of the track. They amped it up a notch when they immortalized their rendition at the Hatshepsut Temple in Egypt last year for Cercle. Finally, we’re delighted to get an even more magical version of the track, brought to you by Deep House Parisian Icon Alex Wann.

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A post shared by Alex Wann (@alexwannmusic)

‘Beyond Us’ (Hatshepsut Version Alex Wann Remix)

How do you remaster and refresh a track that has so much influence and power, you may ask? Well, it seems like Alex Wann found the right formula for his ‘Beyond Us’ remix. From Eynka’s melodic touch, to Adriatique’s deeper and darker undertones, Wann manages to deliver an ethereal track with powerful afro elements. The percussion calls out to your ancestors, and the groove represents the vast deserts phenomenally. After a successful run with his Kelis’ ‘Milkshake’ Remix, the producer continues to influence the world around him.

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A star in the rise, Alex has received the support from House legends Keinemusik, Pete Tong, Swedish House Mafia, Diplo, and Blond:ish. This remix furtherly proves his ability to produce with different elements and styles, such as Adriatique’s unique sounds. Earlier this year he embarked in a North American tour, visiting major musical capitals such as Miami, New York, Toronto, San Francisco, and Montreal. Next Up, Alex Wann will make his rounds around Ibiza, Milan, Dubai, and La Bourget.

Watch out for Alex Wann this summer! He will most likely reign supreme with this delicious version of ‘Beyond Us’.

The post Adriatique’s ‘Beyond Us’ (Hatshepsut Version Alex Wann Remix) Is a Mystical Voyage appeared first on EDMTunes.

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By: Jay Seabrook
Title: Adriatique’s ‘Beyond Us’ (Hatshepsut Version Alex Wann Remix) Is a Mystical Voyage
Sourced From: www.edmtunes.com/2024/04/adriatique-beyond-us-hatshepsut-version-alex-wann-remix-is-a-mystical-voyage/?utm_source=rss&utm_medium=rss&utm_campaign=adriatique-beyond-us-hatshepsut-version-alex-wann-remix-is-a-mystical-voyage
Published Date: Mon, 29 Apr 2024 01:18:32 +0000

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