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If you know Techno, you know Mark Reeve. The industry veteran has nearly two decades under his belt, with groundbreaking productions released under Drumcode, Cocoon, Bedrock, Truesoul, Terminal M, Soma, Second State, ELEVATE, Intec, Bek Audio, and, of course, his own label, SubVision. For his latest project, Mark has delivered a raw and emotional LP, entitled Raw Mind.

The Album

Raw Mind satisfies the appetite of Techno purists searching out vibrant techno with its roots in dark cavernous clubs with pummelling sound systems and bass that hits you hard in the chest. Opener ‘Asia Worlds’ hits a dubbed-out early night vibe, the sort of track seasoned DJs play as the club is filling, setting the mood and creating the right vibe in a venue. ‘Decisions’ kicks things up a few degrees with a hip motor city House groove fused with modern Techno aesthetics as lush chords and beats create a gentle swaying hypnotic flow. ‘Anticipation’ is the soundtrack to a lost weekend at Berlin Techno temples like Berghain and Tresor. Discordant chaos and shuffled industrial percussives meet classy composition and arrangement, yet with a freedom in structure that’s independent of time constraints.

For ‘Run Down’, Mark teams up with Swedish Techno sensation and legend, Samuel L Session, for an uncompromising, punchy gem that is upbeat and aimed at maintaining energy in the room. ’Don’t Stop’ is a thumping 4/4 beast, with its relentless and ruthless attacks tempered slightly by the cool retro Chicago House MC sample. Title track ’Raw Mind’ continues the onslaught and encapsulates what Mark is all about: driving pounding kinetic uncompromising Techno. ‘Concentrate’ sees Mark call upon regular partner in crime, KLØSET. This track portrays minimalistic, stripped-back, thumping Techno with serious emphasis on its tense sound architecture. ‘Shadow’ showcases crisp beats and hissing cymbals setting a platform for Mark to add more off-kilter elements into its freeform structure. 

With LP in full flow, ‘Burning Up’ is aimed at the dancefloor, letting the crowd know that they are there to enjoy themselves. Alway passionate about embracing new talent, ‘Future’ introduces NaDeenfor in an intense pared-back ride brimming with energy and excitement. ‘Madness’ was the first in the raw series on SubVision. Here Mark delivers a special Raw Edit, which amps up all the key elements of the original while still maintaining the edginess people loved earlier this year. ‘Refraction’ is proper textbook Mark Reeve with its relentless driving intensity, swirling resonating arps and throbbing bass. In contrast ‘Prism’ sees Mark stretch out, flexing his production muscles to deliver rich layers, deep lush synths and sumptuous pads. All of this lulls you into a false sense of security as ‘Obliterate’ lives up to its title: a Techno juggernaut sweeping everything out of the way, yet carrying a groove and low rumble perfect for the early hours. The LP closes out on style as ‘Romantic Place’ shows another string to Mark’s bow. Here he creates a hauntingly beautiful and emotive piece of Electronica.

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Mark’s Raw Mind captures a Techno artist at the top of his game. Someone who is passionate and protective of the underground scene and a spirit dating all the way back to those early days in Germany, Detroit, and clusters across Europe. Yet the album also comes from someone who embraces and supports new talent in the sense of community. We hope to see more of this alignment in the future of the genre.

The post Techno Veteran Mark Reeve Shines With New ‘Raw Mind’ LP appeared first on EDMTunes.

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By: Courtney Longhurst
Title: Techno Veteran Mark Reeve Shines With New ‘Raw Mind’ LP
Sourced From: www.edmtunes.com/2023/10/mark-reeve-raw-mind/?utm_source=rss&utm_medium=rss&utm_campaign=mark-reeve-raw-mind
Published Date: Tue, 24 Oct 2023 21:08:39 +0000

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A State Of Trance Top 1000 #1 Is Revealed!

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After 30 years of nothing but Trance excellence, with all the feels, and all the incredible talent, Armin van Buuren‘s legacy prevails. A State of Trance Top 1000 Award revealed the number one track of the label. We can’t imagine how hard it was to pick their top track ever. Cue the drum rolls please… The award goes to none other than Dutch Trance producer RAM and German DJ Jorn van Deynhoven. The honorary title is thanks to their remix of the 2009 masterpiece ‘RAMsterdam’.

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A post shared by ☆ R A M ☆ (@ramofficial)

The Duo took it on their social medias to showcase the plate they received to commemorate the award. We can’t forget the track has earned over 10 million streams on spotify. The track embodies Trance in its rawest form. Its true nature and drive summarize the power the genre carries from decade to decade. Naturally, ‘RAMsterdam’ (Jorn van Deynhoven Remix) reigns supreme over 999 other songs that have moved millions of people since the inception of A State of Trance. Furthermore, RAM mentioned on his Facebook post that after he earned the title, DJ Mag announced his residency in the number one Trance club in China for 2024.

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Both artists are one of a kind, and the award deeply recognizes the mark they continue to leave on a State of Trance and the scene itself. ‘RAMsterdam’ (Jorn van Deynhoven Remix)paved the way for more unique sounds to evolve and develop to this day. RAM and van Deynhoven have what it takes to carry the title of worldwide phenomenon.

Congratulations to these two legends! Now, go ahead and leave ‘Ramsterdam’ (Jorn van Deynhoven Remix) on replay. After all, it is the number 1 ASOS Top 1000 track.

The post A State Of Trance Top 1000 #1 Is Revealed! appeared first on EDMTunes.

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By: Jay Seabrook
Title: A State Of Trance Top 1000 #1 Is Revealed!
Sourced From: www.edmtunes.com/2024/04/a-state-of-trance-top-1000-1/?utm_source=rss&utm_medium=rss&utm_campaign=a-state-of-trance-top-1000-1
Published Date: Tue, 30 Apr 2024 13:54:55 +0000

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[EVENT REVIEW] Ultra Chile Returns After Nearly A Decade, And In Full Force Too

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The large ‘U’ festival celebrated a fantastic return to South America recently.

When you think of Ultra Music Festival, you likely gravitate towards Miami straight away. But we’re lucky enough to have them all over the world, celebrating parties far and wide. That is certainly a blessing for energetic crowds living in somewhat further places in the globe, like South America.

I’ve been here for a while, and it’s safe to say it’s growing a strong community of Dance-devoted madmen like me. I’ve been lucky enough to get to know the Argentinian scene fairly well, and also those in its neighbouring country, Chile. This is a country where Hardstyle reigns supreme, and genres like Techno and its branches are seeing a roaring uptrend in the number of fans and followers. So much so, that Ultra themselves decided to pay a visit. A two-day visit, mind you.

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Ultra Chile: Its History

Chile had its first Ultra in 2013, with the next two years also calling artists from around the world to come together on the far southern end of the globe for Ultra Chile 2014 and 2015. The year after, Chile received a more compact Road To Ultra, as well as in 2017, for the Ultra host of those years was the continental giant, Brazil. After that, Chile would have to wait some time before the brand set foot on it again.

2023 saw Road To Ultra return to the long country for a Halloween party, headlined by Marshmello, Nicky Romero, Oliver Heldens, and Two Friends. And this year, the acclaimed main branch returned in full force, with two days of unstoppable beats coming from a handful of places, and showcasing an impressive plethora of talents, established, up-and-coming, returning… everything.

It was held on Friday, April 19th, and Saturday, April 20th, in Santiago’s iconic go-to place for massive events, Espacio Riesco.

Day One: Friday

Day One kicked off late in the afternoon, at 7 PM to be precise. The crowds started to appear from very early on. Once inside, it was time to have a look at the place, and, oh dear, they truly made the most out of the venue. Three of the four stages were on that day, the Mainstage, on the back of the property and boasting an impressive open-air setting, the Resistance stage, a blacked-out, massive former plane hangar to welcome the best Techno represents in the world, and the Carolina stage, a local-lineup filled stage out on the open.

Day One Winners

Jumping between the Mainstage and the Resistance stage allowed me to watch basically all artists for a little. That’s life at a festival, you can’t really marry one particular DJ. That said, I think I’ve got my favourite artist of the night, and it is Stephan Bodzin.

I had never watched him play, so I was basically going in not knowing what to expect. Add to that, I was at the Main seeing Armin before, so I didn’t really know what I was about to witness. Walking into Resistance, the first thing I noticed was that there was A TON of space to dance and just be yourself. The Mainstage was filled to the brim with people, and well, that left the Techno-devoted stage with a crowd that was truly enjoying Bodzin’s magic. I did too.

I swear, ten minutes in I was already fully hooked. Eyes closed, moving side to side, that kind of hooked. Him playing a live set was a tenfold amplifier as well, since he was interacting a lot with the audience, and the audience interacted a lot with him back. Ask me to name one track from his set, I can’t. But what I CAN recall vividly is how happy he was managing his instruments, and how happy the people dancing beside him were. I was one of them, fully gone away in a trance. A star for you, mate.

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Day Two: Saturday

Day Two started quite earlier, promising twelve endless hours of good music. My friend — who flew in from Buenos Aires for the festival — and I entered the place just past 2:30 PM. And after a little day tour of the venue, we headed straight to the brand-new Resistance Square stage. Reason being, Daniella Da Silva was on at 3:00.

The stage itself was really interesting to me, since the Ultra guys turned this giant conference place into the host for the darkest, most energetic beats of the entire day. I remember my highschool once took me for University speeches or something of that kind literal years ago, and seeing it changed to fit a literal Ultra festival blew me away.

The other stages were just as breathtaking as the day before, and now places like the Mainstage enjoyed the geographic surroundings of Espacio Riesco: mountains for days. It was another level. Point for you, day parties!

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Day Two Winners

Daniella Da Silva

My friend wanted to see her so badly, and I wanted to learn from someone new to me. Good. Lord. Those were 90 minutes of nonstop dancing. There are pictures and videos of me absolutely losing it during her set which I won’t show for, reasons, but let me tell you, her energy is sensational. Dark, Hard Techno. I’m not of the kind to enjoy that in a car ride or on a normal day, but I for sure allowed myself to enjoy her beats at Ultra. I felt slightly sore after that, and that should tell you enough of how good of a set hers was.

Hardwell

My childhood hero. How wouldn’t I have enjoyed Hardwell’s set when he was my role model when I was in school back in the day? Growing up loving ‘Encoded’, ‘Spaceman’, and his remix of ‘Man With The Red Face’, it was about time to see him again. Absolutely nuts. Lots of what he played I had heard before at his Ultra Miami set from earlier this year, but far from taking away from the experience, it allowed me to sing my lungs out. Special shoutout to that ‘Strobe‘ x ‘Save The World‘ mashup which nearly got me crying.

Kasablanca

These guys take the gold for me, no question. Seeing Hardwell, you know beforehand that it’s going to be a phenomenal show, but I had never seen Kasablanca before. I’d only heard their Anjuna tunes. And so my friend and I got to the very front of the Mainstage to see them. We could not have decided better.

They played a live set, just like Bodzin had done the day before. The difference here was the setting: While Stephan Bodzin played inside the warehouse vibe of the Resistance stage, Kasablanca did it out in the open. And their set just so happened to occur during the last hours of the day and into the night, sunset included.

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They absolutely rocked it. From synths to vocals to literal choreography, their set had it all. They truly made good use of the Mainstage speakers as well, with their fat-bottomed tracks. I can’t tell you just how magical that time was, even the landscape fit the vibe of their music. Mountains all around, the clouds turning slightly red at sunset (see a few pictures above), and the moon reigning high aloft by the time they dropped their remix of Above & Beyond’s ‘Black Room Boy’. The duo take the gold, and my heart with it. I won’t turn down the possibility of seeing them in the future.

Final Thoughts

It had been a while since I last attended a big festival, since I’d been much more inclined to go to artist-focused events. It was a refreshing treat to come to Ultra Chile and soak in the festival experience again. My mate and I had a great time, enjoyed the food (shoutout to Papa John’s), the Gin Tonics, and the feel-good atmosphere. For now, be right back, I’ll be listening to Kasablanca!

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The post [EVENT REVIEW] Ultra Chile Returns After Nearly A Decade, And In Full Force Too appeared first on EDMTunes.

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By: Felipe Latorre Cabello
Title: [EVENT REVIEW] Ultra Chile Returns After Nearly A Decade, And In Full Force Too
Sourced From: www.edmtunes.com/2024/04/event-review-ultra-chile/?utm_source=rss&utm_medium=rss&utm_campaign=event-review-ultra-chile
Published Date: Mon, 29 Apr 2024 18:43:56 +0000

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Adriatique’s ‘Beyond Us’ (Hatshepsut Version Alex Wann Remix) Is a Mystical Voyage

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As time goes by, some songs become timeless classics. Even more when artists reimagine different emotions and moods. This is the case with Eynka‘s ‘Beyond Us‘. It wasn’t long until Swiss Electronic duo Adriatique made their own renditions of the track. They amped it up a notch when they immortalized their rendition at the Hatshepsut Temple in Egypt last year for Cercle. Finally, we’re delighted to get an even more magical version of the track, brought to you by Deep House Parisian Icon Alex Wann.

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A post shared by Alex Wann (@alexwannmusic)

‘Beyond Us’ (Hatshepsut Version Alex Wann Remix)

How do you remaster and refresh a track that has so much influence and power, you may ask? Well, it seems like Alex Wann found the right formula for his ‘Beyond Us’ remix. From Eynka’s melodic touch, to Adriatique’s deeper and darker undertones, Wann manages to deliver an ethereal track with powerful afro elements. The percussion calls out to your ancestors, and the groove represents the vast deserts phenomenally. After a successful run with his Kelis’ ‘Milkshake’ Remix, the producer continues to influence the world around him.

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A star in the rise, Alex has received the support from House legends Keinemusik, Pete Tong, Swedish House Mafia, Diplo, and Blond:ish. This remix furtherly proves his ability to produce with different elements and styles, such as Adriatique’s unique sounds. Earlier this year he embarked in a North American tour, visiting major musical capitals such as Miami, New York, Toronto, San Francisco, and Montreal. Next Up, Alex Wann will make his rounds around Ibiza, Milan, Dubai, and La Bourget.

Watch out for Alex Wann this summer! He will most likely reign supreme with this delicious version of ‘Beyond Us’.

The post Adriatique’s ‘Beyond Us’ (Hatshepsut Version Alex Wann Remix) Is a Mystical Voyage appeared first on EDMTunes.

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By: Jay Seabrook
Title: Adriatique’s ‘Beyond Us’ (Hatshepsut Version Alex Wann Remix) Is a Mystical Voyage
Sourced From: www.edmtunes.com/2024/04/adriatique-beyond-us-hatshepsut-version-alex-wann-remix-is-a-mystical-voyage/?utm_source=rss&utm_medium=rss&utm_campaign=adriatique-beyond-us-hatshepsut-version-alex-wann-remix-is-a-mystical-voyage
Published Date: Mon, 29 Apr 2024 01:18:32 +0000

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